the exhibition Cities
of Artificial Excavation:
The Work of Peter
Eisenman, 1978–1988
at the canadian centre for architecture in montreal
in 1994 turns out to be an oracular description of
the architect’s city of culture of galicia in northwest
Spain. eisenman’s project
of a lifetime, now 12 years in design and construction,
has involved serious digging and earthmoving to create
topographical man-made structures that blur figure and
ground.
With two buildings just open, the complex’s raw state
presents an artificial landscape of thrashing, gnashing
stone creatures restlessly rising up from the earth before
subsiding into calm ripples.
eisenman won the competition for the city of culture
in 1999 at the right time economically, and in the right
country architecturally.
Since the end of franco’s reign in 1975, Spanish
architects have been turning out high-quality modernist
design in a country also receptive to the tours de force of
internationally known architects. after frank gehry’s
guggenheim museum in Bilbao opened in 1997,
manuel fraga iribarne, the president of the Xunta of
galicia, initiated the 1 million-squarefoot research,
study, and arts center for his own region. the brief
for the city of culture ambitiously called for a
periodicals archive, library, museum, music theater,
central services and administration building, and
international arts center with a budget of around
$145 million
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