This
3327 square-meter
facility with 1000 square
meters of retail sales
space is located in the
heart of the Omotesando
shopping district where
such architects as Tadao
Ando, Herzog and de
Meuron, Kengo Kuma
and Kazuyo Sejima are
making fashion and art go well together.
The ten-story structure devotes its four lower
floors to a generous sales area and the rest of
its space to offices, an event hall, VIP Lounge
and penthouse, Jun Aoki’s building for Vuitton
was conceived as a “pile of trunks” for this
maker of suitcases and handbags.
The structural system for these volumes,
apparently stacked at random, is a 30-meter-high,
three-dimensional frame containing six boxes that
are shaped by composition of floor and wall plates.
The structural system allows the building, which seems
very open and light, to meet stringent Japansese earthouake
construction standards.
The most remarkable aspect of the building is its main
façade, which is draped in a double layer with three
different kinds of metal mesh tabric and two kinds of
polished stainless steel panels laid 50cm over glass panels
with a striped pattern. As the architect says, “the idea of
using metal fabric was initially derived from the idea of
‘piling up trunks’. I thought the surface should be covered
in fabric like trunks. At the same time , because I did not
want to realize them literally as enlarged trunks but as
mirages, the doubleskin was proposed. The interior of the
building was realized by the Architecture Department of
Louis Yuitton, Paris .
facility with 1000 square
meters of retail sales
space is located in the
heart of the Omotesando
shopping district where
such architects as Tadao
Ando, Herzog and de
Meuron, Kengo Kuma
and Kazuyo Sejima are
making fashion and art go well together.
The ten-story structure devotes its four lower
floors to a generous sales area and the rest of
its space to offices, an event hall, VIP Lounge
and penthouse, Jun Aoki’s building for Vuitton
was conceived as a “pile of trunks” for this
maker of suitcases and handbags.
The structural system for these volumes,
apparently stacked at random, is a 30-meter-high,
three-dimensional frame containing six boxes that
are shaped by composition of floor and wall plates.
The structural system allows the building, which seems
very open and light, to meet stringent Japansese earthouake
construction standards.
The most remarkable aspect of the building is its main
façade, which is draped in a double layer with three
different kinds of metal mesh tabric and two kinds of
polished stainless steel panels laid 50cm over glass panels
with a striped pattern. As the architect says, “the idea of
using metal fabric was initially derived from the idea of
‘piling up trunks’. I thought the surface should be covered
in fabric like trunks. At the same time , because I did not
want to realize them literally as enlarged trunks but as
mirages, the doubleskin was proposed. The interior of the
building was realized by the Architecture Department of
Louis Yuitton, Paris .
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